Sunday, December 14, 2014

Home

The concept of “home” is very relative—it means different things to everyone.  As I face my 15-hour drive home in a few days, I found it fitting to reflect on what my own opinions of home might be.  Everyone’s story is often heavily characterized by their home, where they came from usually reflects who they will become or are becoming.  Home is the people, the environment, the words used, the culture of a place.  Home is where I can say “wicked” and “bubbler” without being interrogated.  Home is where I have two houses that I love equally because they each contain people I love.  Home is where the winters are cold and the summers are hot but the beach is just down the street.  Home is driving onto my street and knowing what to expect around every turn.  I love and appreciate this familiarity, but also think of the day when the houses in Topsfield, MA will no longer be what I consider home in its first definition.  It will be where I grew up, still an important part of my life, but not home. 
            Sally Carol, the main character in F. Scott Fitzgerald’s short story “The Ice Palace,” wants change from her sleepy southern town.  “I want to go places and see people.  I want my mind to grow.  I want to live where things happen on a big scale.” (Fitzgerald 1824)  However, when she does move up North to live with her fiancé Harry and his family she does not like it.  She is reluctant to view Tarleton as her home, it seems to be alien to her, “This was the North, the North—her land now!” (1827)  Sally Carol begins to lose everything that made her her, including her full name, because of her discomfort with her surroundings and the way she is treated.  The spirit and playfulness she once had begins to disappear, as things like sledding are turned down by Harry as silly and immature.  There is the clear sense that Sally Carol is unhappy despite her assurance of Harry, “ ‘Where you are is home for me Harry.’  And as she said this she had the feeling for almost the first time in her life that she was acting a part.” (1829)  She becomes a character playing a character.  The cultural difference between the North and the South make her feel like an outsider; depressed, Sally Carol sees her life as two parts: the old and the new.  The new life has developed an atmosphere where she feels inferior and is not heard or understood.  The external historical conflict between the North and the South become internalized in Sally Carol.  I agree with Andrew’s comment that by “putting on a Northern performance, she dismantles the Northern presupposition of complete Southern ignorance… But she’s anxious. Initially it’s a fear that she is this ignorant Southerner, clueless and slow, but it slowly develops into a deep anxiety over the Northern misconceptions and the death of her own culture inside of her.” (Rikard) In the end, she cannot bear to let go of her old way of life because it so closely tied to who she is.    
            In Sherman Alexie’s short story “What You Pawn I Will Redeem,” the theme of “home” or a lack of one is prominent.  Jackson Jackson, and many of the “Interior Salish” in the Spokane, Washington area are homeless, in the literal and figurative sense (Alexie 2298).  As Jackson Jackson says himself, “Being homeless is probably the only thing I’ve ever been good at.” (2298)  Connor also points out that “meaningful community initially seems unobtainable for Jackson Jackson” (McManus).  It becomes clear as he seizes the opportunity to save his grandmother’s regalia from the pawnshop that the only thing he can cling to is his seemingly long lost culture.  His journey to win back the regalia consumes him because of his desire to be a hero, but also because of his grief for the loss of grandmother.  The grief extends to his culture as well, one that he understands on some level but cannot really claim it as his own—this becomes the importance of his connection to his grandmother. 

Works Cited

Alexie, Sherman. “What You Pawn I Will Redeem.” The Bedford Anthology of American Literature. Ed. Susan Belasco and Linck Johnson, Second ed. New York: Bedford/St. Martins, 2014. 2296-2314. Print.

Fitzgerald, F. Scott. “The Ice Palace.” The Bedford Anthology of American Literature. Ed. Susan Belasco and Linck Johnson, Second ed. New York: Bedford/St. Martins, 2014. 1818-1840. Print.

McManus, Connor.  “Community in ‘What You Pawn I Will Redeem’.” Davidson College ENG 280. 9 December 2014. Web. 10 December 2014. 

Rikard, Andrew.  “The Sweetly Rotten Southern Mythic.” Davidson College ENG 280. November 14 2014. Web. 10 December 2014. 

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